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BIG BEAUTIFUL NOISE
 
A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.

 

 

 

 

 

 

 

 

 

 

 

7C​

Compartment C 

(2017 – DeAmbula Records – Italy)

https://setteci.bandcamp.com/

This, the third full length release by Italian avant-garde trio, is something to behold. Any fan of bands such as This Heat, Massacre (The Fred Frith band), Cassiber, and similar bands, along with the more aggressive King Crimson, David Torn, and Rec Records output (specifically the electric guitar fronted groups) , would surely find interest in ‘Compartment C’.

 

The change in line ups over the years have made some differences in 7C’s sound, mainly with this new one having a consummate guitarist (new member Tony Berardinucci) at the forefront. Their debut ‘Discopatia’ (2011) had Claudio Carozza (noises) and the second release ‘Red Spider’ (2013) added Fabio Della Cuna (tenor sax and alto clarinet). The two stablemates on all recordings have been Davide Di Virgilio (drums, percussions, loopstation, synth, noise) and Giuseppe Lubatti (double bass, noise).

With plenty of variety within the genres, the three members create very flexible compositions that sometimes come to a surprising dead stop, then pick back up and either go into a completely different rhythm, framework, or tempo. No small feat to pull off on their live shows.  For a threesome these superb musicians bring a complex sound far bigger and dense than anyone would expect. The use of loopstation, synthesizers, and a large platter of effects, allows 7C to produce highly involved, always interesting, and attention grabbing songs. These three guys have fantastic chemistry together.

 

An intro of only 45 seconds, an ‘outro’ of 50 seconds, the six other compositions range from a bit over 4 minutes to close to 9 1/2 minutes. The timing and arrangements are perfect. ‘Depression’ (trk 6) begins with bubbling electronic percussion (has a more exotic Bill Bruford feel), uses less guitar then usual and really showcases Davide’s drum work. The following tune (trk 7) starts calm with bass and wandering (Richard Pinhas like) distorted lead guitar. The most extended piece on the disc, it builds into a powerhouse to say the least. With it being the only reference to heavy rock (Black Sabbath),  grunge and post rock from the guitar chords, the music itself still fits nicely into the new format of 7C. There is nothing to dislike on ‘Compartment C’. It is brilliantly put together and a premium example of inventive music.  HIGHLY RECOMMENDED!!!

 

Reviewed by Lee Henderson 2 – 24 – 2018