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ANNIE CHEN OCTET
Secret Treetop
(2018 - Shanghai Audio & Video - USA)

https://anniechen.bandcamp.com/album/secret-treetop

An exotic and extremely attractive blend of jazz, multi regional eastern, and fusion, from composer, singer, lyricist, producer. and educator, Annie Chen. Born in Beijing, China, trained on classical piano, and later in 2013 moved to New York. She studied with Nancy Marano (Manhattan  School of Music), then graduate  studies at Queens College, where she  studied voice with Charenée Wade, jazz  improvisation with Antonio Hart and David  Berkman, and composition and arranging  with Michael Philip Mossman. While in China, Chen had  been a vocalist on the  jazz, soul, and funk scenes. Over a 10 year period, she was lead singer in the bands Blues Driver, Big  John and Black Hot Pisces, as well as the  leader of the Soul Decree Funk Big Band,  the only funk large ensemble in China.  

The influences of her native land are strong, but so are the contemporary American and European female jazz vocalists. Annie's diction, expressive skills, and ranges from bebop, scat, ballad, and dinner are spot on. The top notch New York backing band is another big strength, which features Polish guitarist Rafal Sarnecki, Japanese violinist Tomoko Omura, Canadian trumpeter David Smith, with American jazz musicians Glenn Zaleski (piano), Alex LoRe (alto saxophone/flute), Mat Muntz (bass) and Jerad Lippi (drums). Rafal Sarnecki does a super job on the arrangements. Glenn Zaleski is outstanding on piano. Every participant os superb, which frames Annie and her voice to perfection. Some songs are sung in English, others in Chinese. Both are beautifully executed.

All of the music on 'Secret Treetop' is lovely and stays full of interesting moments. At times, quick rhythmic accents are placed, just as a soft walk down a sombre path is in progress. A great example is 'Ao Bao Xiang Hui' (track 3), which inserts great solos on trumpet, lead guitar, and piano, all intertwined in an ever changing mood of vocals, drum, and bass interplay. With such a box full of goodies as that, the following title cut ('Secret Treetop') is picturesque. with flute and floating vocals, that soon give way to more exciting hoop jumping jazz exercises and complexities. A wonderful balance of soothing music mixed with unexpected twists and turnabouts, is in abundance throughout the entire recording. And one has to notice how perfect the length of each composition is. No moment is wasted, and Chen never allows the music to go without.

'Secret Treetop' has all the earmarks of a jazz classic, a maturity, a youth, and just the right touches of avant-garde, with an appealing formula of conventional mixed with the unconventional. Those that prefer a serving of their adventurous jazz with enough commercial content to keep your head down to earth, will have plenty to love with this 2nd release (her debut was done in China, 2014 'Pisces the Dreamer', and recently in 2019, was brought in on vinyl in limited edition) by Miss Chen.

  ©Reviewed by Lee Henderson 3 - 1 - 2019
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A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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