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AURORA CLARA
Transformation
(2019 - Youkali Music - Spain)

https://auroraclara.bandcamp.com/releases

https://www.youtube.com/watch?v=jZDZ_4p_cJI

A superior Spanish all instrumental fusion group. With little effort, you the listener will instantly discover that from the first measure of this full throttle, stringent, elegant, multi-tier, fearless and knockout ensemble, that the whole package is overflowing with fanfare, bulk of skill, raw beauty, a state of awe, and what may very well be your new favorite jazz fusion album for the year. It is easy to site references of numerous decades of only the finest jazz rock outfits. Just know that this will take you on a towering trip from Jean Luc-Ponty, Transit Express, Jukka Tolonen, Allan Holdsworth, Nova, and more. Okay I could not resist a few references. Thanks to a guest spot by Jerry Goodman (Flock, Mahavishnu Orchestra, Dixie Dregs, solo) for some of the influences.

Raul Mannola has a split second style that has the speed and fire of Holdsworth, but more liquid and extended like Steve Hackett (if he did jazz rock). It should be noted that Raul is a Finnish guitarist who formerly played flamenco style on acoustic, and actually put out an album back in 2002 titled 'Aurora Clara', under his band Raul Mannola Quintet. This is where the new band's name came from. He previously played with Jukka Tolonen as well, which shows up in the influences of this new album. Juan Carlos Aracil (flute) also brings forth the overall Jukka Tolonen ('Summer Games' and 'Crossection' - a compilation, are good choices to see this similar sound) flavors, and the rhythm section of Marco Anderson (who I reviewed on MAHATMOSPHERE 'Beautiful Dirt', and is the only one located in UK, verses Spain) on drums/percussion, with Nill Oliveira (bass), make short order of all the material, keeping tight as a blood filled tick, turn on a dime precision, and impressing anyone who is lucky enough to own this album. Stanislav Borisov (keyboards) adds the delicious center of the hurricane. Other guests include: Jerry Goodman - Violin (on 'Aktur') / Santiago Reyther Duvergel (congas & percussion on 'Song to John', 'Dancing in the Forest' and 'Agosto') / and Bandolero (cajon on 'Aktur'). These are some of the finest musicians on the planet.

In an all out onslaught of instrumental jazz fusion with ingredients from world, flamenco, eastern, rock, and blues from up on the highest mountain, Aurora Clara heap heavy doses of aviator crown achievement at the audience. Pungent with sweat induced exercises, at times you will marvel at the excellence of the musicians. With demanding parts, these guys cut across big wide head-ways, stay meticulous every second, and give a glittering performance of sharp and vibrant spitfire jazz infested music. All compositions are by Raul Mannola (sometimes reminding me of Corrado Rustici) who gives some biting slightly distorted speed demon techniques. What a line up, what a tremendous release, and what a thrill to hear and own the physical compact disc.

On 'At The End of The Day' (track #7) you are gifted with a peaceful acoustic gem, just before the last ( bonus track, only available on CD) version of 'Aktur' (this version features Vic Guadiana - famous guitarist and violinist). And one big ending it is. An all out jazz rock profuse exhibition of superior staircase to the stars presentation. It also includes an exceptional drum solo from Marco. 'Transformation' grants a circumference of fusion mostly lost in the mid 2000's, but you can buy this now. And it is from a present and very alive band. RECOMMENDED.

  ©Reviewed by Lee Henderson 4 - 8 - 2020
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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