top of page
BECK HUNTERS_Has It Been Found_COVER.jpg
BECK HUNTERS
Has It Been Found?
(2019 - Discus Music - UK)

https://discusmusic.bandcamp.com/album/has-it-been-found-78cd

How can such constructionists, deny a value so close to their heart, so akin to their input of concoction and abstract lingo, which speaks their notes so true? A second release by Mick Beck (tenor sax, bassoon, & whistles), and Hunter brothers Anton (guitar) and Johnny (drums). The storyline is as interesting as their music. Their debut was titled 'The Hunt Is On' (2014 - Discus Music), and this second release brings the band to answer, or attempt to answer, that very question of what is being hunted, with a number of possible results. Four extended compositions (following the same line up as their first) explore, and jump in and out of pockets, dart behind doors, walk past stop signs, and often stretch the limits of whatever surroundings are present.

Never falling into the doodling mode, the trio keeps an exceptional focus, being playful and expressive in a highly academic way. The painting for the cover art by Marion Rout (who did their debut cover also) is outstanding, and once again represents the music in a most perfect manner. 'Yes And No' (track 1)  has constant interplay among the instruments, representing the patience of a proper answer yet not completely. 'What Is It?' (track 2) includes some 12-tone patterns, a segment of sax, accompanied drum solo, and quite a lot of contemplative intrigue. The music is at once curious and forward. Through the following pieces, the trio has made an effort to continue answering questions, however it is at the same time, posing more. In fact, the listener may very well walk away with no answers at all. But then I suspect the purpose was not to complete such a tremendous undertaking. That could leave out the possibility of a related 3rd album? (hint)

Beck Hunters are a superior impressionism band. The musical portraits they create truly allow the imagination to both stray and focus. The skill to put together works which have such a consummate balance of mystery, anticipation, fearlessness, and restraint, all in an astute formula, well that is special. With a close fitting outfit such as Beck Hunters, the studious projections of whatever their thoughts may be, can be put into musical language that tickles the senses, quizzes the mind, and diverts your attention into bigger regions at any given moment. This is free music with a unique organization that has an appeal, that takes apples and oranges, and makes lemonade.   

   ©Reviewed by Lee Henderson 2 - 23 - 2019
​
​
AQUA FRAGILE_Moving Fragments_COVER.jpg

© 2023 by Name of Site. Proudly created with Wix.com

 
 
BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
​
​
​
​
Payments of any amount (all donations, no matter how small, are truly cherished) can be sent by PAYPAL  to:
drumlee@proton.me
​
This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.
​
Donate with PayPal

ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

bottom of page