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Bernadette Zeilinger_Acoustic Solo_COVER

BERNADETTE ZEILINGER

Acoustic Solo

(2018 – La Musa – EU)

https://lamusa.bandcamp.com/releases

Austrian born Bernadette Zeilinger creates pure magic with her techniques. This is the definitin of being inventive, in its highest form and on a most elevated plateau. This is a true to the word solo, with  Ms Zeilinger producing every ounce of sound and syllable. She has taken wind instruments and voice to a new place. She can play many instruments but on this release she stays with a small collection of Contrabass Recorder, Voice Flute, and Pinkullo (a wooden flute mostly found in the Andes).  It is important to know that she uses her voice in unison with each instrument, never her voice alone. In one way or another, Bernadette uses the instrument as an extension of her voice. Far beyond what Ian Anderson does with his flute, and nothing is modified or custom made to create these sounds. Also, no overdubs or other musicians are used on this particular recording. In fact, it is done live in the studio, the same as she does it live in concert. Amazing might not be a strong enough word.

With several degrees in Education (University of Vienna), Recorder (University of Music and Performing Arts Vienna) and in Specialized Music Performance (University of Applied Sciences and Arts Northwestern Switzerland/ Music in Basel), she has commanded huge respect and won many awards for her talent. A quote from Fred Frith (who she studied with) says a lot. “Bernadette Zeilinger can hold her own with anyone. She’s an astute and technically brilliant musician who excels on an instrument that’s rare in the field of improvisation, and her creativity, dedication and discipline are inspiring.” (Fred Frith).

So just what does her music sound like here? ‘Acoustic Solo’ goes past all walls, with 14 pieces that range from quirky Black Forest creatures grooving with a pict, to quasi alien 16th century music, unreal blurry time zone free masterpieces and Walt Disney characters speaking unknown languages. It is with this description, I can promise the reader, you have not heard anything exactly like this before. What is mind-blowing, is how complex these compositions are. Words like animated, abstract, stunning, and fantastic, instantly come to the forefront. Use headphones and the experience is even more unreal. One may think of some psychedelic trippy works from the 60’s and 70’s in the experimental world, but this is more accomplished, studied, technical and more aligned to the world of classical. Bernadette is fearless, humongously  talented, and a forward thinker in spectral colours and in astral regions. Admired and Recommended

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Reviewed by Lee Henderson  9 – 15 – 2018

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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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