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CHEETO'S MAGAZINE
Amazingous
(2019 - self release - Spain)

https://cheetosmagazine.bandcamp.com/

Threads and spindles of what never comes as expected, a water trough for the thirsty music lovers of massive mixtures of progressive pop and rock, and then some.  Amazingous is 100% correct. That is if you love quirky, all over the planet, ultra progressive bands, with an anti-fad, rebel commercial, and healthy apetite for a gateway to a huge platter of on the edge and buxom amount of extended indiscreet genres all in one recording. Also, an odd vocalist that sometimes sings in the mode of Kermit the frog, brings the sound all their own, never to be duplicated. Cool as can be too, with Saturday morning cartoon happiness added in.  

Spain's Cheeto's Magazine have always been a hustle bustle hybrid group of musicians. With this, their third release, they have illuminated their status, their ability to etch unique and adventurous composition to reality. The clear cut grip on elaboration certainly swells even the most bent listener's head. With a dignified unfolding of multiple morsels of dear eccentric quick-witted advocates, Cheeto's Magazine now take total command of any and every notion, or idea that may enter their mind. I've never heard such a context of styles laundered through the creative process like this. No one could describe this band in one sentence. However, if you wish, imagine a host of the best progressive bands/artists starting with R. J. Stips/Supersister, City Boy, 10CC, The Movies ('Bullets Thru The Barriers' period), Panzerballet, Queen (gone nuts), Gentle Giant (in another universe), Rush (in the most demented way possible), Panzerpappa, a piece here and there of early Pavlov's Dog, a good dash of Supertramp, the better side of Sigmund Snopek III, and nods to Genesis (most notable in the keyboards department). Those are only the acts that come to mind off the top of my head. Be sure there are dozens more. All wound tight in a partly comical, most amazing concoction of wit, progressive rock, and giant ambition (the way Queen tackled the music world with their 'II' classic, and 10CC gave the people an unparalleled 'The Original Soundtrack').   

So as to give everyone a glimpse inside the sterling silver platter this recording offers, let it be noted that only seconds to half minutes of each comparison occurs at any one time, and the daring multi-colored horse this rides in on, is bedazzled with carousel entertainment, and just too gigantic to list all influences. What else to say? The ultimate snapshot, always rotating, multi-dimensional (both in style surfing and studio engineering), display of unbelievable mud pies, sandcastles, and autonomous fervor. And don't forget the fun that laces their music, alternating with big epic soars in the epic Genesis days. I own every release and have seen this great outfit (who came together in 2004 as a duo) stay consistent (despite some lineup changes), fully charged, and massively talented, both in the instrumental and vocal area.

The members: Esteban Navarro: lead vocals, keyboards/ Matias Lizana: keyboards/ Manel Orella: guitars/ Alex Marques: bass/ and Gerard Sala: drums, sound more like a 8 piece band than a quintet, using big brass, synthetic strings, and rich instrumentation to fill the cup to the brim with thick greatness. These guys have created a masterpiece and put down for all the world to enjoy. 'Amazingous' is nothnng short of wizardry, nearly overwhelming and intense in the most select places. Not only a grand balance of musical styles, but also a fantastical division of sincerity and light. Another best choice of 2019 without any doubt.  SUPER INTENSE RECOMMENDATION!

   ©Reviewed by Lee Henderson 3 - 17 - 2019

 
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A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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