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CLOUD OVER JUPITER_Short Stories For Tal
CLOUD OVER JUPITER
with John Shirley
Short Stories For Tall Aliens
(2019 - self released - USA)

https://cloudoverjupiter.bandcamp.com/album/short-stories-for-tall-aliens

There is clearly something heavily and emotionally involved about this sophomore release by Cloud Over Jupiter, an excellent hybrid progressive album of several styles, by Jerry King with the addition of John Shirley this time around. Some may know of King and Shirley's work together on the not too long ago "Spaceship Landing in a Cemetery" (2018), which I reviewed in Big Beautiful Noise as well.
 
https://www.bigbeautifulnoise.com/john-shirley-jerry-king-spaceshipla

This collaboration extends that sound quite a bit with Shirley's Peter Murphy-like voice narrating 'Six Kinds of Darkness' (track #2) and several other tunes. All the gusto and atmosphere is still intact, with surrealistic journey (as mentioned in the "Spaceship..." review), along with both heavy progressive and music as dream. It is downright provocative in places, with multi-level dimensions, it delivers a jackpot of wealth to the willing listener. At times I was reminded of early David Torn ('Cloud About Mercury) and that seems a great parallel. There is also some perfumed petals of early Gong, Steve Hillage, shades of Sabbath, and a dose of Arthur Brown's Kingdom Come. Add a distorted Eno, some celestial fireworks, and all the images from Bean, 'the wonder dog', with his cape, flying through the air saving mankind, and you have what is powering that special emotional angle from Jerry, who dedicated this album to his former best friend canine, who passed away some months ago. You can add the incredible 'Glyph' by Harold Budd and Hector Zazou, as another reference, due to Shirley's narcotic narration to other tunes. Much in the vein as that 'Spaceship Landing...' release I just mentioned.

Jerry King has been prolific over the last few years, being involved with Moon Men releases, collaborations, and this cool Cloud Over Jupiter project (I asked Jerry how the name came about and he said "the Great Red Spot swirls over Jupiter in the opposite direction that the rest of the planet rotates. So the name 'Cloud Over Jupiter' was borne from that"). He is a multi-instrumentalist who records his own solos, arranges the compositions, and has the foresight to gather the right musicians for his works. Some artists from the debut '5th Mass From The Sun' (2015) are once again on this second release, such as Pete Brown, Jamie Bruhn, Bill Jungwith, Michele King (his wife) and Mark Larson. Added to this new one are Fred Hodshon (bass), John Shirley (vocals, lyrics), Bret Hart (guitars), Dave Newhouse (horns), Chad Wardwell (synth), Walter Whitney (keyboards), and Paul Sears (drums).  The collection of musicians proves to be golden on this project.

The ambrosia of styles keeps the listener keen for each graduation and lush layered song. Put any idea of quick cheap thrills out of your mind. This is a 13 (plus a bonus download only track included in your order of the physical CD) track outlay of well thought out, neatly arranged, professionally mixed and mastered music gems. It rolls from aforementioned comparisons along with Crimson, Heldon, zeuhl styles, out of bounds progressive, to a kaleidoscope of genres and intellectual property, laid down on tracks meant to make forward thinking humans smile (not from comedy, but from delight). Recommended,

   ©Reviewed by Lee Henderson 9 - 18 - 2019
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BIG BEAUTIFUL NOISE
 

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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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