top of page

Eela Craig
One Niter
(2010 -  Esoteric - UK)

 

​

Eela Craig never did sound exactly like any other bands from the 70's progressive symphonic psychedelic space rock movement and that’s why they still sound fresh today. The original album was released in 1976 on the better than average Vertigo label. This 2010 remastered ‘One Niter’ on British Esoteric label actually benefits from the minor clarity improvements more than most of the deluge of reissue remastered classics that the market has seen over the last two years.

​

Many people thought Eela Craig was a German band, but they were from Austria. Often lost in the haze of so many groups being discovered during the guzzling 70's, I was happy to see the reissue of this extremely nice work. For me, I enjoyed the combination of many flavors that were connected from one song to another, and especially in the multi-part compositions. One huge bonus is the fine vocals throughout. Even the three part harmony was great. We all know how many bands who had super instrumental skills, were marred by weak to terrible vocals. So rest assured you get the whole package of good things here. The second thing I liked a lot about Eela Craig was the large band format. They used, triple keyboards, flute, and choir along with the typical rock band gear.

​

As for styles, you can enjoy a pot full of them mixed in. I have to mention the great skill in which the compositions were done. The flow from one style to the other is as smooth as I have ever heard. So much so, I didn’t even mind the more funky jazz parts, mixed with the more fusion jazz rock, celestial space music, Canterbury influences, and cool psychedelic slant on the whole thing. They were adventurous in the fact that not only did they go many directions, but they were slow dreamy one second, then took off with a fast jazz part out of nowhere. So for me, this was interesting then, and still keeps my attention now. I also feel this is their best release as things got less interesting and progressive on subsequent recordings. What bands might you be reminded of along the minutes? To name a few, Pink Floyd, Soft Machine, Nektar, Trace, Ramses, Passport, Gandalf, Camel and you’ll hear snippets of Genesis, and a dose of psychedelic with everything from The Byrds to Procol Harum.

​

If you only buy one CD to check Eela Craig out, buy this one. It’s a keeper for what seems to be the best Austrian progressive band from that year. If you really love both the German space rock of old (Ramses of “Le Layla” fame etc) and the old to mid period Pink Floyd, along with a little jazz rock for the adventure, then you’ll love this recording.

​

Reviewed by Lee Henderson on May 24th, 2011

​

​

The Review:

Eela Craig_one-niter.jpg
AQUA FRAGILE_Moving Fragments_COVER.jpg

© 2023 by Name of Site. Proudly created with Wix.com

 
 
BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
​
​
​
​
Payments of any amount (all donations, no matter how small, are truly cherished) can be sent by PAYPAL  to:
drumlee@proton.me
​
This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.
​
Donate with PayPal

ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

bottom of page