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EMILY BEZAR
Out of the Moment
(2019 - DemiVox Records - USA)

https://emilybezar.bandcamp.com/album/out-of-the-moment

Another perfectly done full release by composer, writer, vocalist, keyboardist (multi-instrumentalist), and producer Emily Bezar. With equal amounts bright energy and gentle ballad, all performed with silky smoothness, the music instantly draws the listener in. From 1993, after her first official band The Potato Eaters, she began her solo career with the release of 'Grandmother's Tea Leaves'. The journey began with her striking progressive style of art, classical, electronic, and world influences. Her polished sound and production on all releases, can be described as a softer side of Kate Bush. The compositions are of similar quality, with impeccable musicianship from herself and backing band members. On this latest recording, the credits are: Emily Bezar - voice, piano, keyboards, (cello on track  13),  Brian Mesko - guitar (tracks 1, 2, 3, 4, 6, 9, 10, 12,  14), Michael Ross - guitar and guitar loops (track 7),  Andrew Waldeck - electric bass (tracks 2, 3, 4, 6, 9, 10,  14), Viktor Krauss - acoustic bass (tracks 1, 7, 12), Nathan Brown - drums (tracks 2, 3, 4, 6, 9, 10, 14) , and Scott Amendola - drums (tracks 1, 7, 12). All music, lyrics, and production by Emily Bezar. The entire album is dedicated to the memory of her mother, Marian Freed Brant, 1937–2017.


Each tune is rich and thoughtfully arranged, beautifully created, and pleasing to the ears. Great vocals, moving from different ranges, tempos, with superb alternating of single lead, to flowering harmonies. Emily possesses the same level of tenderness in her vocal skills as Kate Bush, and this allows her quite a big world of music to roam in. She has never worried about being commercial, nor taking a different path. She has her own ideas and as a long time fan, who owns all her releases, I for one am elated to have found this way above average artists. Consistency would be one of the important words to describe her style. I've never heard any sub par song among her 8 releases. 'Out of the Moment' continues that high standard. Every track stays with you. Repeated listens just make you love it more. Songs like 'Skyline' (track 6) soaks you with superior songsmithing. BEAUTIFUL! 'Treeburst' (track 13) throws a twist of electronica into the mix, much in a Peter Gabriel way.

There are 15 songs here, and you don't have to be a studied musician to tell a lot went into the making of this. Every second has a purpose, exactness, and success in putting forth the emotions and message Emily intended. 'Standing Waves' (track 9) is another ultimate example of Bezar's ability to write with the contrast of gorgeous swoons, then have those grand plateaus of heavenly crescendo occur. And last but not least, 'Headlands' (track 15) brings on the magical euphoria, with just Emily on keys and voice. GORGEOUS! This disc begins strong, stays strong, and ends with the power of beauty. RECOMMENDED.

  ©Reviewed by Lee Henderson 4 - 9 - 2019
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BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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