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EXIT NORTH_Book of Romance and Dust_COVE
EXIT NORTH
Book of Romance and Dust
(2019 - Exit North Music - UK)

https://exitnorth.bandcamp.com/releases

A prismatic gourmet sifting through sheets of atmospheric beauty, that any and all David Sylvian fans would be dreaming of. Like a follow up to Rain Tree Crow minus Sylvian's voice. but not far from. With some parts harkening back to the early 1980s Ivo Watts-Russell days of 4AD, with womb calm state of mind, and stressless existence, the intoxicating production presents the collaborative new band Exit North. One look at the members and it leaves no doubt that the recording will be of a special kind.

The credits are numerous and as follows : Ulf Jansson - Piano, Keyboards / Charles Storm - Synthesizers, Treatments, Guitars, Bass, Voices / Steve Jansen - Keyboards, Drums, Percussion, Sound Design, Backing Vocals / Thomas Feiner - Lead Vocals, Trumpet, Additional Piano, Additional Guitar, Harmonium.  Then there are Strings : Max Wulfson - Violin I / Hanna Eliasson - Violin II / Tuula Fleivik Nurmo - Viola / Jung Hyun Byun - Cello / Hans Adler - Double Bass. Then String Arrangements:  LESSONS IN DOUBT Mikael Backegård / BESTED BONES & ANOTHER CHANCE Mikael Backegård & Thomas Feiner / SEVER ME Thomas Feiner, orchestrated by Max Wulfson. Additional Vocals:  Fyfe Dangerfield BESTED BONES / Robbie Lloyd-Wilson BESTED BONES / Hedda Älveby BESTED BONES & SHORT OF ONE DIMENSION / Anna Bylund LOSING. And the Additional Contributors:  Lars Danielsson - Double Bass BESTED BONES & LESSONS IN DOUBT & SPIDER / Mattias Tell - Acoustic Guitar - SHORT OF ONE DIMENSION / Richard Hauer - Guitar NORTH / Bashar Sharifah - Cello SPIDER & ANOTHER CHANCE / Isak Eldh - Field Recording LOSING / ‘Saxophobia’ sample ANOTHER CHANCE courtesy of Saidera Records.  So you have quite a large scale project, that all comes together like a wonderful masterpiece.

The main members have worked together in various connections in the past, and the most widely known is Thomas Feiner's contributions to Steve Jansen's 'Slope' album. Each musician is multi-skilled so the sound is expansive, even without all the sweet additions. Feiner's lead vocals do not sound exactly like Sylvian, but the dreamy slightly melancholy mood, does take the listener down that gorgeous meditative floating skyway. His voice sounds like a cross between Peter Murphy, David Sylvian, with a touch of Scott Walker. And with Steve Jansen (being David Sylvian's brother), a former member of Japan, and master of a few fertile solos and side projects, the sombre side of stately ambient beauty is here in abundance.  

Not without a few jack knives out of the peaceful aura, the thick lush and mostly dramatic scale of the recording keeps the listener on top of the highest peak. The music is rich with late night enchantment and warm surrealism. Each piece brings a mirror up to the forefront, reflects a varied image, and rarely shows the listener what they are expecting next. The album requires a full listen to appreciate the many different textures, dynamic changes, and surprise slopes and springs. With all the added strings and soft touches, plus the ravishing vocals by Anna Bylund on 'Losing' (track 8), if you blink you will miss something magnificent. The last cut 'Another Chance' is overwhelmingly blissful. Fortitude is required. Do NOT miss this majestic and lithesome offering. RECOMMENDED.

  ©Reviewed by Lee Henderson 5 - 15 - 2019

 
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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