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GRAHAM SOUTH QUARTET
By And By
(2020 - EFPI Records - UK)

https://grahamsouth.bandcamp.com/album/by-and-by

  If you listen to this without knowing a thing about it, you will easily recognize it being very lyrical, mellow, and with deep flow to it. Your perception is grounded by the fact that the compositions are all based on spiritual hymns (traditional African American spirituals to be precise).  Yes, jazz arrangements with a magical translation from their early sources, done with such artistic value, huge respect, and potter's touch, that they transcend into their new form quite perfectly.

All the pieces are the said traditional spirituals and arranged by Graham South (of Manchester) with the exception of track two ('Interlude') which is also the shortest cut on the album at 3:49, however it does allow all of the players to open up a bit more, as it is composed by all four of them. The quartet (which is actually their debut) involves Graham South : trumpet/ Richard Jones : piano/ Seth Bennett : bass/ and Johnny Hunter : drums. There is no shortage of talent and in fact, the listener is given an aural feast along with an emotional experience. Which emotions will vary from person to person, but the music holds a lot to those who pay close attention.

The hymns come from a Michael Tippett work titled 'A Child of Our Time', and South says the album took to its birth as a commission from conductor Marcus Farnsworth and Southwell Music Festival back in 2018. This record was published near the end of 2020. The music is given room to breathe and with the opening piece ('Nobody Knows' 14:30), most everyone will realize a familiar melody. and as the music moves, it may well remind some of the ECM styles of other trumpet maestros Palle Mikkelborg or Tomasz Stańko, although South has his own technique. Be sure that the classic years (1970's) of ECM lovers will find much to love here. The playful and respectful scrutiny everyone gives the tunes will give repeated pleasure. The staccato but round full bass licks Seth Bennett gives, the animated drums Johnny Hunter adds, and the foundational beautifully laid out piano work Richard Jones presents, all allow Graham South to put his highly wistful trumpet in a final touch way.

 On a great label that has released extra fine music by Johnny and Anton Hunter, Adam Fairhall, and many other superb artists, 'By And By' is a fantastic addition to the collection. The title track ('By And By') fully shows Bennett's skill on bass. A wonderful combinations of harmonic, driving, and ornamental artistry, he then takes off with the rest of the band. This might be the most joyful piece on the album. Again, one in where all the players demonstrate their abilities in a most celebrative way. More than half of the cuts are extended in the  12-14 minute range. No moment is wasted.  Richard Jones stands out on a gorgeous piano solo on the last composition ('Deep River') with the rest of the band completing what is one impressive project. It is easy on the ears, the mind, and heart. Yes it is soulful, but also with a gigantic dose of good taste.

  ©Reviewed by Lee Henderson  11 - 10 - 2021
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A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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