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GRICE
One Thousand Birds
(2019 - Hungersleep Records - UK)

https://grice.bandcamp.com/album/one-thousand-birds

With this 3rd full length release from Wimbledon born Grice Peters, the atmosphere is sacred, equally mournful and celebrative, dreamy and most of all, replete with grace. Fruitful with swaying moods, songs glide softly from one to another. The title track 'One Thousand Birds' enters with a David Sylvian all instrumental clarity and symmetry. An interesting fact is the thunderstorm was recorded by Richard Barbieri, from a part of an old Rain Tree Crow studio session. The rest of the various field recordings were done by Grice. Track 2 ('Hardest to Reach'), which was the first song released from the album, features his wife Maria Peters doing spoken word in Greek, after Grice sings a delicate and soulful set of lyrics. His voice has the same captivating appeal as Colin Blunstone or Tim Bowness (No Man/solo). Maria's soft sensual voice is pure heaven on this. Every composition has an equivalent high quality that surely ranks this recording as Grice's best yet. Among the songs, you may hear comparative sounds like The Blue Nile, Tim Bowness, and 3 Blind Mice, however more stylings are present as you will see in my review.

The album title that was a stimulus from the death of Sadako Sasaki, a Japanese woman who was the victim of radiation from the bombs dropped on Hiroshima. As an attempt to save herself, she folded paper birds, as a Japanese legend speaks of a Crane living for 1,000 years, and if you fold 1,000 paper birds, they will protect you from illness and grant you a wish. The album cover is an image of the '1,000 Birds' installation created by artist Helen Morse Palmer.

A gathering of incredible musicians to make all the music as great as it is, includes : Music & lyrics by GRICE. Produced and arranged by GRICE. Instrumentation: GRICE: vocals, acoustic guitar, electric  guitar, piano, keyboards, string  arrangements, Ebow, sound design,  programming/ Richard Barbieri: programming, synths on  ‘One Thousand Birds’ / Andrew Fred Ehresmann: piano, Hammond  organ, keyboards/ Al Swainger: bass, double bass, French  horn/ Marco Maggiore: drums/ Luca Calabrese: trumpet/ Duncan Chave: sampling and bird warping/ Greek lyrics written & spoken by Maria  Peters on ‘Hardest to Reach’/ Strings: Eliza Carew: Cello/ Steve Bingham: violin/ Brenda Stewart: viola/ Additional contributions: Steve Jansen: percussion 'La Foresta  Assente'/ 05Ric: drums 'La Foresta Assente'/ J M Peters: synth ‘Hardest to Reach’ &  flute 'La Foresta Assente'/ Dave Costello: original bass loop  concept ‘Hardest to Reach’/ Lee Fletcher: treatments 'La Foresta  Assente'/ and Jack Lawrence: autoharp 'Letterbomb'.

Having such cream of the crop players allows for the varied feelings and color of these tunes. For example, using Steve Jansen (Japan/solo) on percussion for 'La Foresta Assente' (track 9) is pivotal, and stands out as an exotic instrumental, not far from Jon Hassell, in a most fertile way. The album has the consummate amount of shifting from spirit to archetype, instrumental to vocal based, mingling of styles, and tremendous emotional scent. There is a timely charm about the project, and the music is thick with both regret and comfort, each often overflowing the framework that the song has been created inside. 13 exceptionally crafted and arranged compositions, with a touch of orchestration, make up just under 74 minutes of addictive music. This euphonic paragon from Mr. Peters cannot, must not, go unheard by all. A gorgeous 6 panel digipak with 8 page booklet comes as the physical release. VERY HIGHLY RECOMMENDED.

  ©Reviewed by Lee Henderson 4 - 16 - 2019  
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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