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BIG BEAUTIFUL NOISE
 
A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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LIFESIGNS

Cardington

(2017 - self release - UK)

http://www.lifesigns.me/product/lifesigns-cardington/

A much awaited third release (previously 2 studio albums, and 1 live DVD) by the terrific band Lifesigns. From the ultra melodic, solid as a rock, idyllic mix of soft, arena, progressive pop and rock, this group has captured thousands of music fans so much so, that in less than 48 hours, they obtained their financial goal on Pledge Music to make this new recording independently. With that, John Young, the founder and lead vocalist/keyboardist, wrote all the songs with occasional help from the drummer/percussionist and backing vocalist Frosty Beedle, and on one song Steve Rispin, who did the engineering, mixing, and sound designing. There is an interesting story about the title ‘Cardington’ on the band webpage (link is given at top of this review) you may want to read. The physical CD comes with a nice booklet and the packaging is a glossy cover fold out digi pack for the lovers of this format such as myself.

Each composition is full of perfect turns and changes, on top of being as smooth as silk. This ear warming style Lifesigns has concocted, is some of the most wonderfully harmonious progressive rock you will ever hear. It is both memorable and accessible to everyone. The main members of the present lineup are John Young (lead vocals, keys), Jon Poole (bass), and Frosty Beedle(drums, backing vocals). Note that Jon replaced Nick Beggs on bass after debut Lifesigns. A number of great guests appear including Chris Taylor (backing vocals), and some superior guitarists featuring Dave Bainbridge (Iona, Strawbs, Celestial Fire, solo), Niko Tsonev (Stephen Wilson), Sir Robin Boult (Fish, Howard Jones, Stephen Wilson) and Menno Gootjes (Focus). After just one listen it is obvious these players added a huge jolt of lead guitar and emotion to the overall recording.

If you are asking for references, you may hear the first few seconds of the opening song sounding like Styx. But quickly the comparisons range from a strong gesture to Camel/Andrew Latimer, Peter Gabriel, Mike & The Mechanics (more lush and not quite as poppy), and the more mellow songs of Queensryche. The formula is utterly enticing. The icing on the cake is the title cut (last track) ‘Cardington’ that has the most kindred atmosphere of Andrew Latimer. It leaves the listener with a overpowering sense of both calm and contentment. That is until you come back to reality and start craving the next release by this consistent and gratifying group of musicians called Lifesigns. RECOMMENDED.

Review by Lee Henderson 11 – 18 – 2017