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LOST BAYOU RAMBLERS_Rodents of Unusual S
LOST BAYOU RAMBLERS
Rodents of Unusual Size
[Music from the motion picture: OST]
(2019 - self release - USA)

https://lostbayouramblers.bandcamp.com/album/rodents-of-unusual-size-music-from-the-motion-picture

A curious and revealing example of the interconnection of folk music around the world plus more, is this eclectic and particular release that is the soundtrack to a documentary titled 'Rodents of Unusual Size'. It is an odd recording even for this progressive Cajun roots band from Broussard, Louisiana, called Lost Bayou Ramblers. In fact, my attention was instantly drawn and engulfed by the random viewing of this film, which took me on a journey to find out about this band and their music. I tracked down this specific album first, due to the fact that I could not believe the styles of music that I was hearing from a Cajun band. The beginning of the soundtrack brought back memories of the eerie music of the OST of one famous film called 'Fargo', that I always had associated with Nordic folk, with this haunting and lonely sound, yet so penetrating and chilling. Knowing the French input of the Cajun and Creole genre, I also heard the heavy influences therein. The other surprises were still to come past the halfway mark on the disc.

Lost Bayou Ramblers was founded by brothers Louis and Andre Michot in 1999. To give you an idea of how different this Cajun band is, they have toured with Arcade Fire and the Violent Femmes.
 
 In the past, Louis has traveled around the French regions of Canada leaning the language and music before starting the band,  and since written some experimental ambient music.The band has always been a progressive Cajun band with an open end for other styles and sounds. I was in love from the moment I heard this soundtrack for a film that was all about a large rat-like rodent (typical size is 20 pounds) called a nutria. After the disastrous hurricane Katrina hit Louisiana, the nutria not only survived in massive numbers, but began to destroy the ecosystem in such ways as increasing erosion on the coastline, and with more residents leaving the area, the homeland is also becoming a no man's land. The few who stand and fight for their property, are documented in this interesting and unforgettable film. But the music is the focus with this review. That left an impression on this writer.

Twenty-Two songs make up this project. Most of the tunes were written by member Louis Michot, and some by his brother Andre. The credits consists of : Accordion, Lap Steel Guitar – Andre  Michot/ Fiddle, Electric Guitar, Acoustic Guitar,  Percussion, Bass, Synth, Vocals – Louis  Michot/ Drums, Percussion – Kirkland Middleton/ Electric Bass, Double Bass [Upright  Bass], Acoustic Guitar, Drums [Drum Pad]  – Bryan Webre/ Electric Guitar, Pedal Steel Guitar –  Jonny Campos/ Guests are: Double Bass [Upright Bass] – Ryan  Guillory (tracks: 12)/  Trumpet – Josh Leblanc (tracks:  10, 11) plus Engineer [Additional Engineering] – Mark  Bingham, Tony Daigle/ Engineer, Mixed By – Kirkland Middleton. The music stretches further than ever before from the band's already varied repertoire. It is truly my favorite kind of album, one loaded with surprise and ambient, swift changes, big chances, and a lot of music for the money.

The members of the band are quite accomplished musicians in their own right, and the material keeps the listener glued to the moment. The ancient cajun music brought into the mix, is what gives Lost Bayou Ramblers the charm and unique sound. That connection to other folk from around different parts of the globe still peeks my interest. I have heard similar junctures of Appalachian with Scottish and Irish folk styles, as well as other Celtic music from across the planet, but this is the first I have heard (my palette has been recently been expanded) the Scandinavian distinctions that infuse this Cajun roots music. While haunting much of the time, the soundtrack has moments of celebration and breaks free of the more sombre atmosphere. Each song is short, yet gives enough time to absorb and enjoy. Some compositions toward the end are pure foot stomping Cajun and as mentioned, there are some real curveballs thrown in, which I will leave for the reader to discover for themselves. In short, 'Rodents of Unusual Size' is a feast of beautiful melancholy and excitement that will take you on a brand new journey. It may suck you into the Cajun world even if you had have no interest in it before. RECOMMENDED.

 ©Reviewed by Lee Henderson 10 - 16 - 2019



 
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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