© 2023 by Name of Site. Proudly created with Wix.com

 
 
BIG BEAUTIFUL NOISE
 
A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
Payments of any amount (all donations, no matter how small, are truly cherished) can be sent by PAYPAL  to:
zleebo@yahoo.com
This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.

MICKEY SIMMONDS

The Seven Colours Of Emptiness

(ARC – 2007 – UK)

http://www.mickeysimmonds.com/new/

A second solo by keyboardist Mickey Simmonds (Camel/Fish, and guest on many other albums), presents us with 67:33 minutes of outstanding music he wrote, arranged, produced, played, and sung on. His debut ‘The Shape of Rain’ , originally released in 1996, was tremendous and unforgettable, sending new fans his direction instantly. Several years later his music will call up even more listeners, with this fantastic solo titled ‘The Seven Colours of Emptiness’.

This has not one, but many songs, that are worth the price alone. Truly an incredible recording of 15 compositions that range from epic Genesis, to grand Enid orchestrations, with diversions of Stackridge and much more. Mickey does a wonderful job on vocals throughout as well. The intro ‘Trip’ is low-key, reminding me of Mike Rutherford’s ‘Smallcreep’s Day’ in atmosphere, with a touch of Pink Floyd. The connected songs move slow but build in exceptional style. Many may feel this sounds like a David Gilmour solo the first few moments, but ‘Arriving’ (track 3) moves away from that with classic Simmonds sound, having a beautiful electronic, then classical display (which will thrill Tony Banks/Steve Hackett/Rick Wakeman fans). ‘Operating’ (track 4) is grandiose with grand piano and strings. I thought I was listening to James Newton Howard (on his glorious ‘Promised Land’ soundtrack) on ‘Brick’ (track 5) . Very opulent with some punches using drums, high level orchestration, and gorgeous Enid-like soaring guitar lead. Breathtaking!

The music takes you on a trip from calm meadows to tall mountains, to heaven and beyond. ‘News’ (track 6) changes mood with a warm nearly Stackridge folky and jolly piece that is a sweet display of what many dimensions Simmonds shows his audience on this platter. Quickly back to the epic soundtrack and circumstance is ‘Journey’ (track 7) with violin, orchestration, deluxe grand piano, tear jerker ebb and flows, and all the emotional tugging your heart can take. More superb drum punches as good as Kitaro’s The London Symphony Orchestra 2 LP box set of ‘Silk Road Suite’.

So many textures and change of scenery, masterful arrangements, and magnificent thinking, The skills Simmonds has to compose varied styles, using different tempos, dynamics, and emotional drawstrings, is amazing. He even comes up with what could be classified as a tribal Genesis/Camel sound on the song ‘Feeling’ (track 9). And with the powerful passages , the music is often brought back down to a pastoral gem of angelic strings or melancholy horn section, and perhaps back again. ‘Kids Send Their Love’ (track 10) has such sweet soothing vocals, and a joyous melody, celebrative but sentimental chorus, it all sends warm shivers down your spine.

From progressive rock, classical, folk, celtic, electronic, plus more, ‘The Seven Colours Of Emptiness’ is a grand ride. ‘Time To Go’ (ending track) leaves you speechless. As great as anything Andrew Latimer ever wrote. It will have tears running down your cheeks. Such a angelic, sleepytime, gleaming, precious gemstone that ends with a few seconds of birds chirping…aaaaah sweet dreams. Mickey Simmonds is now one of my top great thinkers of music compositions. This is his highest achievement thus far. FULLY RECOMMENDED.

Reviewed by Lee Henderson  6 – 16 – 2008