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NICK DEPINNA
Nexus Music, Vol 1 [EP]
(2019 - Orenda Records - USA)

https://orendarecords.com/0064-nick-depinna-nexus-music-volume-1
https://www.nickdepinna.com/bigband

This wastes no time kicking into high gear on the opening cut, giving the listener a chunk of tightly wound syncopation, swing in high octave, and big band on a floating apparition with silver splashes all around. With the first composition ('Reveille'), you are left with zero doubt of how great every member of this remarkable outfit of a new big band era are, including a terrific drum solo and fiery lead guitar. Although this number was originally conceived while at residency at Avaloch Farm Music Institute, with his L.A. Signal Lab new music collective, and under an early morning meditative writing session, while gazing at green pastures in New Hampshire, the work somehow translated into this hyper precise and titillating blowout.  

'Refugio' (track 2) slows things down and reveals the band's ability to swing and produce the emotional side of a great reflective piece. And this one really did keep it's meditative quality, despite the fact that it was inspired by an ecological disaster (oil spill) of California Central Coast Beach. The 3rd piece 'Asceria', showcases a combination of what tracks 1 and 2 feature, with a bonus of more delicate parts, featuring Christian Tamburr on some wonderfully mellow vibraphone. A beautiful breezy, yet complex palette of earth tones, colliding with rainbow colors.

This San Francisco Bay area resident, now living in Los Angeles, studied music composition at UCLA, completing his M.A. in 2015. Nick Depinna is a young but well seasoned educated composer, trombonist, and engineer with a wide variety of accomplishments under his belt, including television scores for 20/20, General Hospital, Superhuman, and many more. He has also done music for many short films, documentaries, and feature films (such as 'Chainsmoke' - 2008). His experience as both composer and performer are impressive. He toured with Brian Setzer Orchestra, performed with Christina Rusnak, Kenny Burrell, to just name a few. His skills also lie in mixing and his discography is varied and extensive. This is his 4th release [one as Ross Garren and Nick DePinna 'Expansions on Solo Piano' (2011), as producer/ another under the band Nova 'Periapsis' (2011) as producer, composer, and performer/ one under his project LA Signal Lab 'Whisper and Howl' (2015) as producer, composer, and performer/ and this newest as his solo Nick DePinna 'Nexus Music, Volume 1' (2019) as primary artist. The line up on 'Nexus Music, Vol 1' is : trombone - Nick DePinna/ saxophones - Dan Kaneyuki, Hitomi Oba, & Tim McKay/ trumpets - James Blackwell, Tom Terrell, & Noah Meites/ vibraphone - Christian Tamburr (track 3)/ guitar - Brady Cohan (track 1), and  Brandon Bae (tracks 2,3)/ piano and keyboards - Ross Garren/ bass - Tim Lefebvre (track 1), Noah Garabedian (tracks 2,3)/ drums - Jake Reed (tracks 1,3) and Michael Lindsay (track 2)/ and on percussion - Roland Gajate-Garcia (track 1). All music composed over a number of years and at various stages of Depinna's career so far   

It may be short, with three compositions clocking in at a total of only 19:06, but the quality of the music is extremely high, and the taste of what might be expected on Vol 2, is now planted in my head. 'Nexus Music, Vol 1' is not only a treasure trove, but a recording of stature, and importance to anyone who loves ensemble jazz. A rewarding EP and one that makes you look forward to the next one by this multi talented artist. RECOMMENDED.

   ©Reviewed by Lee Henderson 5 - 24 - 2019
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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