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NORTH SEA RADIO ORCHESTRA_Gap Species_CO
NORTH SEA RADIO ORCHESTRA
Gap Species
(2019 - self release - UK)

https://northsearadioorchestra.bandcamp.com/releases

A vital collectors release, from a sprightly and brilliant ensemble. While a few of the tunes are in their more embryonic period, and appear on early albums after these were composed, (example  'Move Eastward Happy Earth' -track 4, was on their 2nd release 'Birds', but still a different version). the bulk are new material unreleased until now. So even though you might call it odds and ends, it is a collection of recordings from 1998-2006, just after The Shrubbies broke up (an exceptional inventive pop band that Craig and Sharon Fortnam, along with Sarah Smith and drummer Dominic Luckman, formed in 1995). 'Gap Species' is every bit as charming, enduring, and distinguished as all the rest of the NSRO output. With volumes of secure yet roaming melodies, quizzical, progressive, and symmetrical arpeggios, gorgeous choral parts (often reminding of the most stunning Gentle Giant vocal acrobatic tyres), this "compilation of sorts" release is an open door to an early look that any fan will agree, is not only outstanding, but essential and luxurious beyond belief.

The balance of innocent untarnished female vocal arrangements, and riddles of male polyphony, all mingled with classical chamber, piano, winds and strings. and with a unique tenderness - is at times jaw dropping. Credits are Craig Fortnam: guitars/keyboards/MIDI madness, Sharron Fortnam: vocals,  Nick Hayes: clarinet (track 7 and 12), Daniel Hewson: trombone (track 2 and 4), Harry Escott: cello (track 5 and 10), Hugh Wilkinson: vibes (track 9), Luke Crookes: bassoon (track 12), Geri Peach: oboe (track 12), James Larcombe: organ (track 5, 9 and 12), Jen Underhill: violin (track 5), Terry Pitt: trumpet (track 2 and 4), and choir on track 4: CF, SF, Tim Smith and Jo Spratley. All tracks recorded in Balham, London, by Craig Fortnam. All vocals recorded at Apollo 8, Wiltshire, by Tim Smith. Mixed at Apollo 8 by Tim Smith/CF except: Track 5: recorded at Securisound, London, by James Larcombe. Tracks 9 and 12: recorded at St Olave Hart St, London, by James Larcombe.Track 10: recorded by CF in a secret posh room. Music by Craig Fortnam and words by Alfred Tennyson.   So you can see the pedigree this recording brings with it. HUGE!  

You will even get a jostle into a whimsical piece. I often heard what could be a capricious soundtrack, although so immediately strong with its own imagery and emotions, nothing less than extraordinary and legendary can be used to describe the whole affair. Some will claim this as North Sea Radio Orchestra's best ever, and they wouldn't be wrong. For me, it is tempting to place it on that throne, but as an owner of all their released music, I just count my blessings I now have this among their other unbelievable material. Actually this could have been titled 'Blueprint', as it has a little touch of everything great that all the following releases have, and in perfect unity.

If this group gets any better, I am not sure my ears or mind can handle it. The craftiness along side the skill level, the dexterity the musicians have in performing, the ability to map out these ideas, and the mathematical precision in arranging the segments in railway like fashion - nearly left this author speechless. So now I will leave it to the reader to go listen and buy it for yourself. ENTIRELY OUT OF THIS WORLD RECOMMENDED !

  ©Reviewed by Lee Henderson 3 - 28 - 2019


 
AQUA FRAGILE_Moving Fragments_COVER.jpg

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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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