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OS MEUS SHORTS

Os Meus Shorts

(2008 - Rat Records - Belgium)

  http://osmeusshorts.bandcamp.com/album/os-meus-shorts

  http://www.youtube.com/watch?v=Cd35AJ4Lx4U


  This duo is half Belgium (Joachim Badenhorst) and half Spanish (Nico Boig) [note: they have become a trio now as you can see on You Tube link, and if you buy the download at Bandcamp, you get cheated out of 2 tracks that are on the physical CD -' Kiko' 01:10 +  'Le meme jour Le jour meme' 01:23]. The two (band name simply means 'my shorts' in Portuguese) make both beautiful music and far out on the edge music, with simple instrumentation of baritone guitar and bass clarinet ( there is a key mention of both artists also playing “objects” as well ). The 28 short songs (whole CD is 46:40) sometimes remind me of the 2nd brilliant album by French band ZNR. But other tunes are more like going to a safari on acid.
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 The first cut is somewhat erratic and second song begins to paint the picture that you’ll be challenged (but smart) to listen to this all the way through. It’s avant-garde in the most clear definition.  The third cut gives you hope for music with melody (if that is what you desire). Fourth one is a wandering ditty, very laid back getting into the ZNR territory. Fifth song goes back into that desert on acid. Hey, it’s pretty fun listening to this recording. Back to a beautiful meditative piece on track 6. Titles like 'Teva', 'Kiko', 'Caixeta, Excursio', 'Forat', 'Little Cloud', 'Boku no tchiisana kumo', and 'It All Makes Sense', give you some idea of the variety and unsuspecting roaming the two musicians do. This could very well work as a soundtrack since it is all instrumental for the most part. There is some voice used at times more as effect and drama, but the real charm of this release is it’s refusal to stay put with anything.  On a song called ‘Johnny Guitar’ it’s hard to imagine how they came up with this music. It’s simply one of the most innovative recordings in my collection now. Little parts of it even reminded me of the more experimental moments of Eyeless In Gaza, and The Residents,
 

   Despite what many listeners might conclude, this is truly inventive for two musicians, with such limited instruments and objects. I say limited in the fact that they only use two main tools, not in any way because of their limitations of how the guitar and clarinet are utilized. I’d never have thought this much variety of style and sound could be produced. It’s totally amazing when you have finished your first spin of the CD. If you are the curious type, then it’s certainly worth one listen. If you like finding something new, like you have never owned before, that sounds nothing like anything else in your collection, then this would be a fine addition for you. Sure, I know it takes some patience and understanding with this type music. It’s not for the neo prog lover, nor the MOR fan, or anyone who must have clean logical structure in every song they listen to.  Nope! It’s for those nuts like me who love both the beautiful and the abstract. In my book, it’s a part of creativity, to put together 28 songs with 2 instruments, by two artists, for a fan base who you have no idea is. But we know who we are.

 
  Track 19 (‘Dibuix’) is probably closer to what Jimi Hendrix might be doing in the present day if he were still alive.  And in contrast, track 20 brings clarity and mellowness to the listeners ears. Again, more like ZNR’s ‘Traite De Mecanique Populaire’. I am going to give you a quote of what the artists say about their music. They say it best. “Os Meus Shorts are the short pants we wear on holidays. On summer or in warm places. They'll be the testimonies of big discoverings, fleeting love or a true one, new countries, mysterious places around the corner, nonsense relationships, long trips by car, boat or tramway, picnics, mushy movies or good ones, amazing fruit salads,etc...whatever you could put in an audible travel notebook.”  So now you have the whole picture. Well as much of a canvas as I can give you on paper. This is another adventurous recording that is both exquisite and very unusual.
Recommended for lovers of unique music.    
   
   ©Reviewed by Lee Henderson 5 -8- 2009
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A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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