top of page
Ritva_Nero_COVER_Immortal_Tradition_COVER.jpg
RITVA NERO
Immortal Tradition
(2022 - Bafe's Factory - Finland)


https://www.youtube.com/watch?v=-CGmrjkJ2HM

https://www.youtube.com/watch?v=mHC0X5ONrF8

https://www.youtube.com/watch?v=XxuNXTcytMg

BUY FROM LABEL:


https://www.bafesfactory.fi/ritvanero/
-----------

  What can come from a Finish quintet: Emilia Lajunen (Nyckelharpa), Jani Snellman (Electric Bass), Patrik Fält (Drums), Petri Prauda (Finnish Bagpipes), Sanna Salonen (Soprano Saxophone), could be filled with adjectives such as Nordic folk fused with speed metal, or grindcore folk, yet all that would be short on the combustion and passion the group has command of. This is not the condensed metal and folk of dark Scandinavian death, but a hot pepper version of what pioneers like Hedningarna (a Swedish/Finnish fusion group) ended with, and a hand full of Northside artists began with in the gently loved 1990's. Plus the muscle, much of it they have, and past the fake blood and fangs, RITVA NERO bring to the stage a real passion, and a lifeblood that captures the audience full metal jacket.


Traditional folk experts may identify the dances of maanitus, mazurka, and polka, as far back as the 1800's but the uploading of present day metal fusions are what swirls the compositions into a vibe that takes the listener into a Whirling dervish (along the Sufi path), once over the twilight, twice under the sacred soil of Konya. Not naked of the Uralic foundations, and certainly not trying to break away from Medieval times, RITVA NERO incorporate an alien type of dark folk world music, only with a very sharp edged sword.  The tempo keeps the audience on their feet, or their toes, if the listener is the laid back kind. If you wonder how the musicians are so sharp and great with their instruments, the fact is the band formed in 2017, so this 2022 release  although their debut as the banner as they are, spent most of the lifetime honing these skills you hear.

Any time spent with the songs, are cases of asking for a buzz cut, two raised eyebrows, an hour of adrenaline rush, a smile on your pretty face, and/or a new kick in your step. Taking in the beauty of a very old traditional folk base, posed underneath a power house of speed metal, is something to experience. This album is easy to love, obvious to cherish, and important to pay close attention to. RECOMMENDED.

 ©Reviewed by Lee Henderson  3 - 10 - 2022


 
AQUA FRAGILE_Moving Fragments_COVER.jpg

© 2023 by Name of Site. Proudly created with Wix.com

 
 
BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
​
​
​
​
Payments of any amount (all donations, no matter how small, are truly cherished) can be sent by PAYPAL  to:
drumlee@proton.me
​
This magazine exists on kind donations and music related advertisements (although the ads are limited and in no way accepted for favors in reviews). All funds are used to pay for website, domain, and the endless hours of work that is required to keep the reviews and various information  in process. Any donation is extremely appreciated. Thank you.
​
Donate with PayPal

ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

bottom of page