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Shrunken Head Shop

Live in Germany

(2013 - self release - USA)


 http://wd-41.bandcamp.com/album/shrunken-head-shop-live-in-germany

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A bold and adventurous journey, Willie Oteri and company perform totally without preconceived notions, framework or discussion with this very cool set of concerts in three different locations in Germany.  There is improvisation and then there is doing it spontaneous with no planning whatsoever. This off the cuff and naked on the spot playing is what Oteri and crew specialize in. Check out recordings by WD-41  for more music from Oteri and Laczko.

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Immediately on first cut (“Legends of Litfass”) I am reminded of fusion of early Weather Report, Jon Hassell with a dash of eastern with a 24 minute jam featuring equally great Dave Laczko on trumpet, Willie Oteri on guitar and loops, Jan Fitschen on Chapman stick, Sylvia Oelkrug on violin and Schroeder at the drums. A loose alternately funk and alien soundscape are laid out as if it was meticulously composed. I’ve said this more than once about the improv music that Oteri has been involved with. It is improv but surprisingly so. Of course this is no amateur luck or accident. It takes both a gift for it, and many years of doing it in order to pull off the fine art of improvisation with other musicians. A great leader can bring out the best in others, but in this case, all musicians are perfectly put together for what we are served, on Shrunken Head Shop “Live in Germany”. You get three different locations where one or more tracks are created from scratch. This adds to the variety no doubt.

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The second track “Whales of the Black Forest” you get an eerie intro emphasizing toms and cymbals from the drum kit and excellent volume control from guitar. Shortly thereafter, things build and a groove is dotting the i’s. This will thrill 70’s period Crimson fans with a David Cross like violin, Bruford and Muir spiced drums, nimble bass and guitar, and just plain great overall creation. “Tracks of the Mystery Ape” (track 4) although starts out with a quicker pace, also establishes itself with a slow burn, with exotic playfulness between everyone and the addition of both Alessandro Arcuri on bass, and Konrad Wiemann on percussion. A bit shorter (8:31) than the previous three works, it retains that sweet fusion of Weather Report and Crimson in their 70’s glory. This is simply great stuff through and through. The thing that may surprise many is how quick and smooth the melody lines are created from the entry of each title. This recording will have you shaking your head as to how they did this from scratch in front of a live audience. And if you have read this far, you need to know that this is NOT your typical improv recording. No sir, this is all stunningly created from start to finish with each delicious platter served piping hot with love and brilliance. The last track (“Wrath of Bernd”) is the shortest at a mere 5:38 minutes but no less, it puts another height of excellence to this wonderful CD. Very explorative guitar plays off tight and sharp drum beat, round bass lines, and digital delay violin with supreme success. I didn’t think it could get any better but I was wowed by the precise musicianship and almost unreal inventiveness that takes place. You are rewarded with a folk ditty at the end to put icing on what is the best cake WD-41 (now in the form of Shrunken Head Shop) and crew have ever presented. Yes I said it, this now sits at my number one spot for Willie Oteri and company. Everyone is equally deserving of the achievement this recording makes.  TOTALLY AND HIGHLY RECOMMENDED!!!  (Even for those who dislike improv, this will change your mind about the subject matter).

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Reviewed by Lee Henderson March 31, 2014

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A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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