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SOFT MACHINE

Hidden Details

(2018 – MoonJune Records – USA)

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https://softmachine-moonjune.bandcamp.com/album/hidden-details-hd#

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Containing members Daevid Allen, Robert Wyatt, Kevin Ayers, and Mike Ratledge, it was filled with psychedelic, experimental jazz, rock and pop elements, more prone to turn heads back in 1968, and had a unforgettable tune called ‘We Did It Again’, which repeated itself over and over. I bought that as a kid and loved every song. It appealed to both my senses of adventurous and whimsical music. My next purchase was ‘Thirds’ (1970), a double delight that made me think totally different about jazz, as I was still very young. A big change in lineup came with ‘Thirds’. Gone were Allen and Ayers, but Wyatt and Ratledge stayed on, with additions Elton Dean (sax), Hugh Hopper (bass), Jimmy Hastings (flute, bass clarinet), and guest Lyn Dobson (flute, soprano sax), and on trombone – Nick Evans. The bulk of the music was written by Hopper and Ratledge, with Wyatt writing only ‘The Moon in June’ (re: MoonJune Records namesake). The entire first side of the double album was one extended composition called ‘Facelift’. Side B had 3 parts of a suite, then side C was one song, as well as side D with a tune called ‘Out-Bloody-Rageous’. If you stayed with Soft Machine over all these years, you already know all the personnel changes and jagged, often puzzling breakups, ends and re-groupings, of this extremely vital band (especially the early rogues).

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The brand new 2018 ‘Hidden Details’ release includes a unique ‘Out Bloody Intro’ and then a shortened version of ‘Out-Bloody-Rageous, Part 1’ ,and what you might consider an alteration of ‘Facelift’ (all from ‘Thirds’) called ‘Ground Lift’, however it is credited to Travis and Babbington, and only lasts 5:21. Only one other cover from previous releases is performed, ‘The Man Who Waved At Trains’ (from ‘Bundles’, 1975). Special note is Jon Hiseman (great UK drummer, musician, who sadly passed away after he recorded this for Soft Machine, in Temple Studios UK). There is a well planned balance of material between fourteen tracks, with present members John Etheridge (electric and acoustic guitars); Theo Travis (tenor and soprano saxophones, flutes, Fender Rhodes piano); Roy Babbington (bass guitar); John Marshall (drums, percussion); and quest Nick Utteridge (wind chimes track 13). Three of these bandmates are from the ‘Softs'(1976) era, which has been a repeat player of mine, ever since my love for the ECM label became deep-seated.

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It could be easily be seen as a continuation of ‘Softs’ with all the spread of classical jazz, avant excursions, and carefully placed emotionally packaged compositions. But that would be short sighted. It does have the same gusto, flight, and well crafted ballad styled Rypdal soaked meditations, and also pleasant revisits to earlier period brilliance, however as a whole, when you take the retrospection out of the picture, the playing is fantastic, filled with energy, finesse, and wisdom of father time. Experience is the pulpit of greatness and these master musicians are proof. The writing is divided between them all, and the performance is remarkable, at the stage in life most of the members have arrived at. And with ‘Hidden Details’, the band has certainly thrived and given the world another esteemed gift. MOST RECOMMENDED.

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Reviewed by Lee Henderson 10 – 20 – 2018

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SOFT MACHINE_HiddenDetails_COVER.jpg
AQUA FRAGILE_Moving Fragments_COVER.jpg

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A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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