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SPROINGG
Hirnk​ä​se
(2023 -  self release - Germany)

https://sproingg.bandcamp.com/album/hirnk-se

A combustible fusion of many faces in the world of avant-rock, jazz fusion, RIO, experimental  math rock, and in some spots, a moment by moment change of atmosphere and pace. 'Hirnk​ä​se' goes even further into the abyss with Zeuhl inspired Magma, quirky Crimson impressions, constructive destructive Stravinsky soaked rock by way of Etron Fou Leloublan and/or Uz Jsme Doma, also a tad of Pinoil (France),then a water slide into a pond of Heldon in their sometimes ambient modes. The ambient is very sparse so let the more aggressive and avant-insanity to the delight parts shine through.

A third full release from this German trio that defies any neatly placed category, or even a genre. That very thing is what makes Sproingg such a special and exciting outfit. The word progressive does fit, but in the best sense of the word, and what it should have specifically meant all these years, rather than the "prog" term attempting to dish it into the old rehash of 1970's classic progressive rock bands. As such, Sproingg are happily all outside the circle, racing all around the map, through many labels, and never afraid to jump the lines of even those drawn in the sand by previously daring artists. I spoke with Erik Feder about the album and he revealed a few insights, as to the Bruschmarian language and workings of what became a large part of this new album. Prudi had worked with the mythical language in a past band, but never saw it come to fruition. The conflicting ideas of the concept album were also dealt out to graphic art schools, for students to attempt the cover art. One important part of the puzzle is 'Hirnk​ä​se'  is loosely translated as 'Brain Cheese'. The cover needed to depict (as Erik describes) "This was critical for me, yes she's scooping out some of his brain cheese to put on bread, but he's also smiling and happily eating the bread with the same stuff on it. It's a completely normal day in their lives...". Although they got three or four possible covers from the students, the one Sproingg picked was by a young woman named L. Riempp.

Prudi Bruschgo (electric & baritone guitars, lead vocals), Erik Feder (drums & percussion, vocals) and Johannes Korn (Chapman Sticks, electric violin, fretless electric guitar, vocals) have a superior chemistry, and such is their mix of styles, to rattle the cages of the weary listener, who may be tired of MOR 'Prog'. This certainly goes far beyond that. Even with some humor and craziness that makes people like myself smile and want more. Sproingg are brilliant mad hatters, with a brain flowing over with ideas. It all fits in as the story gets told. Important to the results are that all three musicians are highly involved in the process of their creating the music. Opposing notions are a part of this band's makeup. HIGHLY RECOMMENDED!!! This will easily make my TOP CHOICES LIST of 2023.

©Reviewed by Lee Henderson 11 - 10 - 2023


 
AQUA FRAGILE_Moving Fragments_COVER.jpg

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BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest




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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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