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Too Noisy Fish
Fast Easy Sick
(2011 - Rat Records  - Belgium)

https://www.youtube.com/watch?v=wLqzeQQc_vY&feature=relmfu

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From the very first few counts of this CD, you can tell you are in for an adventurous listen. Almost standard acoustic piano, but then with intrusive drums jumping in and out, and gracefully the upright bass comes in to carry the tune into the avant free jazz semi bebop gem it is. No sooner than a climax, then back to the initial slow pacing part, just waiting to dart back into something else. But what? It’s like the jolly green giant, stomping along towards the destiny. Such brilliant playing on all parts. With the first theme stated, revisited again, and then again, the composition ends with a flutter. It is some way to begin this superior exercise in modern avant jazz with classical and rock tones, plus plenty of creative juices flowing. The 2nd song comes along like a rogue tidal wave as well. Supreme!

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‘Fast Easy Sick’ is the freshman release by this rhythm section for another tilting, thrilling and famous avant garde big band jazz group called Flat Earth Society. Do you see the title which notes FES? It’s no shock that Too Noisy Fish have a clear winner and product of their own here. Just a three piece comprising of Peter Vandenberghe: piano/compositions (Flat Earth Society, X-Legged Sally, Univers Zero, Caca, Monsoon), Kristof Roseeuw: double bass (Flat Earth Society, RadioKUKAorkest, Fukkeduk, Spectra ensemble), and Teun Verbruggen: drums (Flat Earth Society, Jef Neve, Toots Thielemans, Otin Spake, Gowk, VVG Trio, Christian Mendoza Group), this work is as strong and full of life as any trio I have ever heard. To top it off, the release was mixed , mastered and produced by the one and only Pierre Vervloesem (X-Legged Sally).

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‘Fast Easy Sick’ is full of complex, high in the sky, magic interplay and free forward thinking collisions of compositional contradictions and compliments. Sometimes casting a wry sense of humor, the music reels in one noisy fish after another. And there are tunes like track 5 (‘Bread? Shade! She? Me... ‘) that begin with ECM-like classical keys (brings to mind Rainer Bruninghaus on piano) with cymbal swells, mallets on drums, and a beautiful crescendo to kill for, then a mechanical whiz of a Henry-Cow-would-be-proud, avant garde ending. The next composition ‘Fish That Sing Can’t Swim’ swings it’s way around the studio in a demented kind of display of catch me if you can. And you better be good on your feet. The last cut ‘Latin Laundry’ is a warped Latin jazz number that will have you curious to the very last couple of seconds. It’s the ending most fitting for this masterpiece of servings. You can expect most songs to begin one way and end up another, or something like that. Most assuredly for the lovers of the crazy good avant, mixed with the crazy good odd fusion. Brave and genius.

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The vote is in. This is fabulous music! Too Noisy Fish manage to make you smile, worry, grit your teeth, laugh, be surprised, wonder, ponder, and sit in amazement, all in the same recording. ‘Fast Easy Sick’ is one of the best discs I have listened to this year. It’s beyond great, it’s fantastic! How these bands from Belgium do it beats me, but I plan on listening to plenty more bands from a country that seems to constantly breathe out great bands. ULTRA HIGHLY RECOMMENDED WITH A CHERRY ON TOP!

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  ©Reviewed by Lee Henderson on May 7th, 2012

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BIG BEAUTIFUL NOISE
 

A  magazine focused on inventive, progressive, and creative music in any genre that stands out from the rest
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ACQUA FRAGILE
Moving Fragments
(2023 - Maracash - Italy)


https://maracashrecords.bandcamp.com/album/moving-fragments


  A group who have the uncanny talent of keeping their classic  sound along with staying up tpo date. This amazing return is from 1970's Italian progressive rock outfit, with frontier man lead vocal Bernardo Lanzetti, who made this band and some PFM albums so specifically brilliant. At this decade, to expect more beauty would be a fantasy, yet it is set before your ears, even with the first notes, this masterpiece of Italian, (and not only Italian) progressive rock that certainly grasps the notion of what the genre of "progressive" was always meant to be. ACQUA FRAGILE create another sweetly classic knockout recording, not with even a heavy breath of past to present effort.  In fact, it sounds and feels more authentic than ever.  Bernardo sounds as if he never aged a week, and all muscians present are at full force, not passing up the chance to make another massively classic album.   An album to put Acqua Fragile at the top of the few chosen progressive rock choices of all time. The first song ('Her Shadlows Torture' 05:52 - editors note:  A misspell on the 'Shadows' which is on Bandcamp at this writing - but is correct as 'Her Shadow's Torture' on physical CD)  hug you and give all relief, as to any possible doubts of a long awaited fourth album by this top notch Italian band. I claim it will leave your heart lay bleeding. Grab the spectral energy and enjoy a glimpse of beautiful cocoon birth.

  Not one song is with sacrifice, even a wink of lamb. In fact, some elements are added to further enchance and stun the audience, such as inclusive female vocals by Rossella Volta. The bulk of the outfit is Piero Canavera (drums, percussion, vocals),  Franz Dondi (bass), Bernardo Lanzetti (lead vocals, guitar, Glovox),  Stefano Pantaleoni (keyboards),  Claudio Tuma (guitars), with special aid by (aforementioned vocalist Rosella Voita) ,  Gigi Cavalli Cocchi - drums (1,6),  Sergio Ponti - drums (4,9), Stef Burns- guitar (2),  Brian Belloni - guitar (4),  Davide Piombino - 7 string guitar (5),  and David Jackson - sax & flute (6). Could you ask for more?   After one listen you cannot want more. Thank Maracash label (Italy) for standing behind so many great Italian artists who have done the blood, sweat, and tears in earlier years, and deserve the attention now.
Although the band name translates to 'Fragile Water', it might be better described as Precious Water at this point and time in our decreasingly cared for world. Perhaps even better, Rare Water. The beauty of this entire recording is apparent, true, sincere, and a step forward. Better than one would dream of, past the point of how all old fans could imagine, and  actually done in the upper atmospheres of what anyone could have dreamed of. Everyone is top notch and most of all, Lanzetti is 100% present, making it another masterpiece.  It is my deep recommendartion for all fans of both classic progressive rock and the new fields of progressive music to give this a direct and full attention (no distractions) listen. RECOMMENDED.
  ©Reviewed by Lee Henderson 1 - 19 - 2024


 

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